Life is
a continous journey, unbeatable as the ocean�s high tide. With
this eternal flow emerge the creations of unfadable talent. A
life enriched with regular practice, flourishes the best flow
of time and golden hue. A devoted life bloomed in a desire for
creation is indomitable like time and sunshine. Smti Umeswari
Goswami who is popularly known as Soru Aita (little grandma),
is respected and held in reverence by one and all in her
locality. She could casteaway the spell of darkness from a
life full of troubles and cares.
Enriched
with literary potentiality, the religious minded Umeswari
Goswami was born in the satra of Bahoi Pukhuri under Aahatguri
mouza of Majuli district in 1914. Her father was late Goluk
Ch. Goswami and her mother was late Sumoti Goswami. At a
tender age of 13, she tied the nuptial knot with Duttadev
Goswami, who hailed from Narayanpur. Duttadev Goswami later
shifted from Narayanpur to the Brahmin village of his second
wife.The name of his first wife was Yogeswari Goswami. As
grandma was issueless, after the death of her husband, she has
been taken care by a cousin.
As
grandma had to become a daughter-in-law in her teenage, she
had hardly been able to lead a plain and simple life. With an
indomitable desire at heart, grandma despaired herself
relating to its expression, But true talent never lies hidden
and this was later proved by the versatile literary vigor of
grandma. Besides giving religious and holistic advices to the
womenfolk of her village, grandma has been able to maintain an
ideal standard for the society.
The
formal education of grandma was limited only to the primary
level. With such limited education, grandma could touch the
boundaries of infinity. In this regard, she had been inspired
by two of her brothers namely late Rup Chandra Goswami and
late Bhuban Ch. Goswami, Grandma was honored at the district
level for being a skilled weaver. In religious ceremonies of
the women�s society, the beautiful chanting of �Naam� in
grandma�s voice at local puja functions enchanted everyon .
Grandma was actively associated with the Bihupuria branch of
Sahitya Sabha. Having chanted her self-composed poems, grandma
has been able to please her listeners during 80 years of her
life. Little grandma has ever since remained a member of the
Asom Sahitya Sabha.
The
literary career of grandma started clandestinely and silenty.
After supper when all other inmates of the house had gone to
sleep, grandma took her pen and engrossed herself in literary
creation. Although such passing of days distressed her
sometimes, her spirit overwhelming with literary output gave
her immense satisfaction altogether. Though she led an austere
life without charm or flavor, the spirit of grandma remained
illuminated. After the busy schedule of the day, the beautiful
gift of the serene time made her not only wondered but also
offered immense satisfaction to her husband. So grandma shed
tears amidst happiness dedicating the �Naam mala�
(garland of Naam) to her husband.
� Mohibor Davatmoj
sakar debata mur
(Sri Sri) Dattadev
namera prakhyat
Dritiya sopotni ami
swami pod shire mani
Orpi asu
swami soronot
�������
Otikoi obhaga ami
ki diya orchibu swami
Soronot
bidehi aatmar
Hiya bhara bhaktidan
dilu khudra puthikhone
Luwa
orghya debata pranor.
Till the
present time four books penned by grandmother have been
published, four have already been in the press. Some of the
books are still under writing process. The published books are
as follows-
1.Naam Mala (first Edition)
2.Naam Mala (Second Edition)
3.Upanayonor Naam
4.Tahanir Xadhu
Santanu
Bhattacharjee is the publisher of the four books published by
Bhattacharjee Agency, Dibrugarh Bhattacharjee Agency also
brings forth the following books for publication-
5.Sabitri Chaturdoshi Brot
6.Tirtha Darshan
7.Sadhu Twatta Lorar Pora Burhaloi
8.Ashirbad
The
poetry collection undergoing composition is
9.
Smiritri Rekha
The two
editions of the Naam-Mala have been published in a new
enlarged edition. This book includes in its content all the
types of �Naam� like �Narayan Stuti, (hymns) Vinayak Stuti,
Lakhmi and Saraswati Stuti, Puwar Geet, Proxongiya Ghosha etc.
For instance, before quoting some of the extracts of �Naam�,
the view of the authoress about the new edition is expressed,
�With a view to compiling all the orally circulated �Naam�(Prayer)
by the women �devotees, in the first edition of the �Naam Mala�,
along with a few self-composed Naam and other Naam relating to
the times prior to the birth of lord Krishna have been
included. The childhood adventures and wondrous actions of
lord Krishna up to his journey to heavenly abode in human in
human incarnation have been included in second edition. Some
of the quoting from the �Naam �Mala� are �
Narayan Stuti (Prayer)
�Nomu
nomu narayan tumi adi deba
Tumar
Chorone koru shoto kuti seba
Moi oti
murhomoti nejanu minoti
Tumar
charone magu omulya bhakoti
Onadi
onanta Prabhu koruna sagar
Or
onathik kripa kora ekobar�.
Lakhmi Samara Naam
Ma-he
boikunthore pora � ma- he lakhmi aai ahise
Ma-he
hatot kamal phul loi
Ma � he
bate bate aaye, ma-hoi sune kan pati
Ma-he
mur naam kote ba loi
Ma-he
sagar mathute, ma-hoi lakhmi baja bhoilo
Ma-he
debatai asile chai
Ma-he
omrit koloshi ma �he loiu padmawati
Ma-he
dhire dhire choli zai
Ma � he
sunar gunamari ma-he dishu kapur pari
Ma-he
lakhmi aai bohoke buli
Ma-he
lahekoi bohiba ma-he gughura sosibo
Ma-he
loi jau mathate tuli
Deh
twatta Naam
Aji
bhoju kali bhoju elahote bai
Eihen
hori naam pabolokoi nai
Padmoru
kushot thaka hei puntari, kakshya
Bhabanabboi papik uddhara lakhya, lakhya
Aji
sobei naam lose namei nityanandra
Kolohe
kolohe dhale teu nohoi ontra
Jag
Brahma- Jag, Bishnu �Jag tripurari
In the
preface of another book named Upanayonor Naam
grandmother writes, �although the collections of Naam puthi
contain the Naam like Aainam, Biya Naam (marriage chanting),
Goshai- Goshani Naams are available in the market, there is a
dearth of books containing the Upanayonor Naam and to meet up
this shortage among the female devotees this book has been
designed to be published�.
In this
compilation there is also enlisted the Naam sung in the mouths
of the female devotees (as oral tone). Having included all the
sacred principal of the ceremony of �Upanayonor� the
standard of the book has been brought in to lime light, stress
was also been laid on the necessity of the use of Ghot
(Pitcher) and �Dunori� (with mentioning of the requirement to
be laid on there) the manuscript of the�Upanayonor Naam�
with its five/six chapters has proved the immense
potentiality of the grandmother regarding her creativity. The
Naam included in the book are Doiyon Diya, Panitula, Humor
Gurit Guwa Naam, Bhiksa Bichara Naam etc. As for example the
following are two Naam in this regard-
Pani
Tula Naam
�Soindhate gamone Yatra sumongole
Doi
yamunaloi jai
Age
pache bhari gayan bayan kori
Dhuliyai
dhake dhul bai
Gongajal
anibo Yamunar anibo
Aru
saraswatir pani
Sei Jal
atupi mauci mathat dibo
Bighini
dur hobo buli
Bhiksa bichara Naam
Ai matri
bhiksa diya brahmanoke boru
Diksha
guru montra diya choronot dharu
Pach
bacharot ashilu soru
Sat
bacharote rakhila garu
Bar
bachrote bujilu aai
Mur
dhekhun gat logun nai
Bhitaroro pora make sudhe
Botuk
brahmachari korile kune
Bahirore
pora deutake koi
Botuk
brahmachari korilo moi
The book
entitled Tahaiur Sadhu has established the literary
genius of grandmother Umeswari in a remarkable position.The
composition and depiction of the book really wonderful and
striking. The printing quality of the book with nine wonderful
tales covering 86 pages and its brilliant literary flavor has
proved the beauty of the book. The tales include Raj Hirawati,
Bidhatai Dilei Turutai Nidiya, Ekhete Dile Tot Pai, Bemaror
Loghu Kukurikona Ki Khau Ki Kau, Lukor Bhalei Bhal, Xiyal
Tamuli, Mukhe Lot-Pot Bhitori Kopot, Xunor Champa etc. Besides
being pleasant to the ear, all the stories have been able to
make a deep impression on the readers. The proverbs, epigram
used in the book are able to give a useful lesson to children
with regard to the learning of language. The children must be
equipped with the competence of learning the idiom,
phraseology, proverb concerning their mother languages along
with their usage in the linguistic composition. In the book
Tahanir Sadhu the use of some words inspires the children.
Besides the literary value they have respective value as
proverbs.
Of late
the books which are now in the press have also brought a
remarkable contribution to the Assamese literature. The book
entitled Tirtha Darshan is a latest instance of the
experience derived from visiting the places of pilgrimages.
This brings to light the curiosity of mind as nourished by
grandmother. As people�s curiosity cross no limits, the
intensity to know about the Parashuram Kunda resulted in the
creation of book. After the fulfillment of the heart�s desire
grandmother could relax herself. In her 72 years of age
grandmother started writing book. Regarding the origin of the
Parashu Kunda grandmother writes-the sixth incarnation of god
is Parashuram. The mighty Brahmaputra flows from this Parashu
kunda. To keep his father�s word Parashuram beheaded his
mother along with four brothers. In this book description has
been made regarding the creation of Parashu Kunda alon with
the detailed illustration of how the stream of Parashu kunda
had been made tp flow through the feet of lord Ram for the
blissful life of the people on the earth. Depiction has also
been made about how the Brahmaputra got its name, along with
the description regarding how the water of the Brahmaputra
becomes the sacred water during the Asokastami. This book can
indeed be called asa guiding document for the curiosity of the
pilgrims. This book contains various incarnations for blissful
pilgrimage.
In the
book entitled Sabritri Chaturdoshi Brot, mention has
been made regarding the magnificence of the chaturdoshi brot
undertook by chaste lady Sabritri. This obligation happens to
be a dignified one for women as conceived by the write. In the
Hindu based Indian Territory, the female having chastity and
devotion to husband observe this obligation. In the book there
are ten chapters containing the aspects like Brotor Pranali,
Paranar Mantra, Sabitri Bortor Abirbhav, Sabitri Bortor Xuphal,
Satyabanar Pran Luv, Bortor Mahatma etc. the religiously
devoted lady can learn many things through the book.The
creative vigor as well as spiritual sentiment of grandmother
can be brilliantly observed in the book. The scholastic
competence of the respective book is concerned.
In the
book entitled Sadhu Twatta Lorar Pora Borhaloi there are
stories namely Janar Bhat Mas Najanar Golagrah, Sunporia Desh,
Ukoni Sokhi, Dilihi Parar Sarna, Styale Bandare Sokhi etc.
The
stories are full of significance. The stories adapted for
children are able to give pleasure to the elder readers also.
Under the impact of the literary efficiency of grandmother a
simple story turns out to be a striking one. The usage of
proverbs, epigrams also strengthens the literary value of the
stories. The language used in the book is simple and the art
of narration is smooth.
The
poetry collection of grandmother named Smritirekha is not yet
published. Many the poems reflect the poetic genius of the
female poet. The melodious tone of the poem has beautifully
depicted the creativity of grandmother-
�Mananiya buranji surya Benudhar Sarma,
Kirile
prayan aji sipurit dham
Akash
bhagi surmar brojaghat pori
Nij desh
pordesh ekakar kori
Sukar
sajai dhara, dharile abori
(Sokulure)
�Ekalot
Bihpuria otikoi Khin
Bidya
sikhya prakashar nai eku chin
Sikas
pran xokolar sikhyar bikash
Patile
high school khoni bidyar abash
(Smritrekha)
In the
poem of grandmother partriotism has also got a promiment
position. The morally disrupted social condition has created
bitter agony in the heart of grandmother-
�Upaja
deshor apun basati
Bukut
saboti lobo
Lukor
basaku abarjana buli
Doliyai
nepelabo
Deshor
adhar Sanskrit bhasai
Dhekile
du �khai mur
Badhyata
bandhat najal na-thal
Paribo
khujile ur� (Jatiya Jiban)
Asil
amar Dangar asom
Satu bai
bhani mili
Kunenu
sotoru salile eineike
Hoi bor
bihar puli
(Aronya
ruddon)
The
Grandmother admired literature heart and soul. In her view the
success of life conceals in the literary world-
�Sah-sokti sarthakar sahitai mul
Sahitya
suwaran yadi nahai bhul
Onya
onya rasamrita hoi khantekiya
Sahitya madhurmoi yug
yugamiya�
(Jibanar Lakhya)
The
literary output of grandmother has been remarkable along with
her serenity of heart. With her creation she has been able to
illuminate her life even when she is eighty. But it is a
matter of regret this literary genius has not given due
recognition by awarding literay persion.Let her creation keep
her life illuminated.