Amongthe litt�rateurs who created the golden mansion
of Assamese literature, the contribution made by women writers
are worth mentioning. They picked up their pen amidst their
busy schedule to enrich Assamese language and literature with
new job. Their immense aspiration for creation and expansion
through their writings was an age-old phenomena and it has
flourished and developed fully now. Suchibrata Roychoudhury is
one of the bold women writers who had given vitality toward
the Assamese language. Although she was an administrative
officer, she continued her literary activities in her busy
schedule.
Suchibrata Raychoudhury had a strong personality that
attracted the people at first sight and her name is also
appropriate to her personality, which conveys a sweet
perception like musical tune.
Suchibrata was born in 1st September of
1929 at Panbazar of Guwahati. Her mother was Kaushalya Devi
and father was the famous poet Ambikagiri
Raychoudhury.Revolutionary poet Ambikagiri, who transcend
time, created sensitivity among the public and he tried to
bring the wave of revolution in the society to eradicate the
pollution from it. There was an immense influence of
Ambikagiri in the life of Suchibrata Raychoudhury. She had got
the inspiration from her father since her childhood to proceed
in her life by following right, true and proper way. Even in
the threshold of childhood she had close association of her
father who taught her to love the country and nation. A
creative atmosphere at home inspired her to write songs,
poems, short stories, dramas, articles etc. such valuable
contribution enriched the Assamese literature.
The educational life of Suchibrata Raychoudhury
began at the Panbaza. Balika Primary School.From childhood,she
was a brilliant student and got scholarship from school by
qualifying the scholarship test examination.Her high school
life started from class IV (four) at Panbazar Girl�s High
School. At class V, she published a hand �written magazine
with the help of her friend Kamala Das and she composed a poem
on Mahatma Gandhi in that magazine entitled �Sannyasi�. In
1945, she had passed the Matriculation Examination in first
division with letter marks in Assamese and History. For the
Science subject she also received �Pratibha Devi Award� and
Narayani Handique Award.� In 1947, Suchibrata Raychoudhoury
passed the Intermediate Examination from Handique Girl�s
College by securing first position in Assam among the girls.
In 1949, she became a graduate from the same college and got
admission in the Department of Economics in Gauhati
University; but could not continue the course to some
domestic problems and joined Tarini Charan Girl�s School as a
teacher.
Service Life:
Suchibrata Raychoudhury started her career as
teacher in 1951. In 1953, she appeared in the Assam Civil
Service Examination. In 15th February, 1954, she
joined as Deputy Magistrate in Gauhati Court. Mrs.
Raychoudhury had competently done her service as 1st
class magistrate in several places like Gauhati,Dhuburi,
Dibrugarh, Nogaon etc. In 1970,she was transferred to
Shillong as Deputy Director of Panchayet Department . In 1973,
she became the Chief Executive Officer of Khadi and Gramodyog
Board.In 1976, she became the Sub-Divisional Commissioner of
Gauhati Division and later joined in 1977 as Secretary of
District Gazetteer. Mrs. Raychoudhury was again transferred to
Gauhati as the Chief Executive Officer of Khadi and Gramodyog
Board and in 1983,she joined in the Assam Secratariat as
Deputy Director of Education Department. In 1986, Suchibrata
Raychoudhury became the Director of Social Welfare Department
and at last retired from the service life as an officer of
Revenue Department on 31st August 1989. As an
administrative officer, she was capable of establishing her
identity as an honest, sincere and competent officer, and this
was an inspiration for the subsequent new officers.
Literary activities :
From her childhood, Mrs. Raychoudhury concentrated
herself in literary activities. Her talent developed since the
publication of �Banti.�A hand-written magazine. After her
Matric Examination, she translated a drama named Kon Bata
and published it in 1947. Later on, the drama was performewd
by �Arya Natya Samaj�� �Handique Girls College� and also
broadcasted through the All India Radio. Dr. Bhupen Hazarika
also broadcasted her dramas through Radio. Yugar Dabi,
Garima �Saponar Bichar�, Bowari.� �Pratarana�� :Sanakar�
are the dramas written by Mrs. Raychoudhury on the topics of
social problems. In the novel Bamarali, written for the
deprived class, the novelist depicts the castism, social
distinction, the activities of an unsteady modern girl who had
to live a miserable life by causing disaster to her. The novel
�Sundar Desh� is an effort for workship to infuse life in the
statue of women by application of Indian spiritualism, music
and art. The novel Bamarali was serially published in �Jayanti�.
Mrs. Raychoudhury was a society- concerned writer and she
tried to established a healthy atmosphere in the society by
eradicating bigotry and superstition from it. In her short
story collection,�Santarparna� and �Sonali Pera�, the problems
of society and country are discussed and there is an effort to
find out a solution of such problems. The boldness and
kindness of her character were revealed through the dialogue
of her stories. The progressive outlook of Suchibrata was seen
in the stories published in her anthology of �Santarparna in
1961. Suchibrata Raychoudhury enriched the Assamese literature
by doing various translation works. She translated the�Moon �
is Down of John Steinback in the title �Beli Lohiale� The
short stories of �O� Henry, �Moon and Six Pences of samrchet
Maugham, �The serpent and the Rope� of Raja Rao and �Cherry
Orchard� of Anston Chekov are also translated by Suchibrata
Raychoudhury. She also translated the �Dangerous Corner� of
J.B Priestly and named as �Bipad- Seema� In this work she
tried to adapt the characters and environment to the
environment of Assam. She kept the name of her play �Bipad-
Seema�. There is always a danger line between the bare truth
of literature and human beings, one who crossed the line will
be in danger.
Basically, Suchibrata Raychoudhury was a poet,
although she enriched Assamese Literature with the
compositions of short stories, novels, dramas songs,
translations etc. The beautiful diction and deep thought, and
use of simile in her songs and poems impressed the
listeners. The picturesque quality, the syntax, and the art of
expression of her songs attract the listeners.
We know that poetry is always related with emotion.
The emotions of the poet like though, depression, anger,
sadness and happiness of a poet depicted in the lyrics of the
poems.
Now a days, the whole surroundings are full of agony and fear.
The human beings became Inactive due to unknown fear.
�Bhoy Bhoy Bhoy
Ek anami Bhitir Hatorai
Amar
Sattar Dingit Hesa
Mari dharise
Amar
Kpal Aru Sarir
Ek
Kathin Jaratat Pongu Hoi Uthise�� (Mathu
Katha)
Sometimes the poet suffered from depression, the
sweet fragrance of flower of the dreamland disappeared and is
now filled up with silence, a kind of terrible silence.
�Dhup Dhuna
Aru Phular Subase
Ek
Swapnalok Rachana Karichil
Etia lyat
Ek
Bhayabaha Nirjanata�
�Mathu Katha� is a collection of simple poems. The poet
wrote in the preface that� the collection is prepared to give
expression of the instinct that no one think of the death of
their child.
The Poet became restless by witnessing the injustice and
exploitation of the depressed class of the society. She was
always eager to lodge protest against such darkness and tried
to bring sunshine.
�Mor Eei Hat
Eei Drishti
Aru
Eei Kanthswar Thamaki Naroy
Eei Dukhan Bhari
Chali Thakiba
Anyay Atikramar Prayatnare�
The poet wait for a rain with an expectation that
the rain would wipe out the dry heap of dust from the society
and it would come like a fearless child.
�Patharkahan
Achchnna Hoi Atarai
Sukan Dhulir Pardakhan Atarai
Duranta Sisur Dare
Bhumistha Hua
Ejak Bristir Plabanar Pratikhyat�
As a whole, �Mathu Katha�, Tumi Aru Moi� and Hahakarar Gan�
are the beautiful collection of poems by Mrs. Raychoudhury.
�Suhuri,� and �Gunjan�, are the two collection of
songs by the same author.The songs composed in these books
express the deep thought of the poet. The beautiful picture
depicted in the songs attracts the minds of the audience. In
one song of �Gunjan�, it is expressed that-
�Nilabarania Durar pahar
Barasar Dhuabarania
Hoi Parichi Seidina
�Kola Akashate Bijuli Chamki Uthisil Ghane Ghane�
So many words are preserved in one�s heart for the beloved
one. But those words are not expressed and withered in the
heart and it would not been expressed in future also.
�Bejar Thanere
Birah Banere
Kalija Rangali Kara
Sei Katha Mor Nahal Koa
Hoytu Eeiye Sesh Dekha� (Gunjan)
The sorrow of the poet was kept in her heart.
Nobody bothered for her, and gave love in return. The heart
became tired of false dream.
� Hiyai Bichara Mon a Atari Palay
Maramar Nai Karo
Kono Pratidan
Bhalpoa Micha Mor
Alik Sapon
Pran Mor Bhagari Paril� (Gunjan)
The songs of Gunja Exhibits the patriotic feeling and
respect for the country.The Country is enriched with its
resources the country. All should try to drive hunger and make
their effort to embellish with golden flower.
�Hat Mila Bhai Hat Mila
Eei Desh Mor Sunar Khani
Son Phula Bhai Son Phula.
Eei Bhok Ami Gucjhaba Lagibo
Machi Chakupani Hahiba Lagibo
Take karo Buli Hat mila
Hat Mila Bhai Son Phula� (Gunjan)
Suhuri is an another collection of songs.There are
50 songs in this collection. It is also composed in a simple
language. The poet wants to express that the past is always
past and it is meaningless to find it out.The past creators
always a symphony of pain in heart.
�Atit Haday Simar Sipar
Hridayat Mathu Tole Hahakar
Bedanar Kolrol,� (Suhuri)
Some songs depict the beautiful scenario of the
country side. The green paddy fields , the girls of the
village busy with making cloths and the group fishing scene of
the villages are the subject matter of such songs:-
�Amar Gaonar Ji-Bowari
Tatal Tole Tarei Chabi
Desh Bideshar Khanikarar
Tate Herai Chit
Eeiye Amar Gaon
Ati Maramar Gaon�.
Suchibrata Raychoudhury was a true socialist. She had
tremendous belief in The Gandhian Plulosophy. Therefore, she
gave importance on self-independence and dignity of labour.
According to Mrs. Raychoudhury, the means of a work is more
important than the result of a work done. She believes that no
right task can be done by wrong way. She was participated in
the social service since her school life. During the 1942�s
movement she was a small girl residing at Pokua of Nalbari
with her grandfather Kalicharan Choudhury and she distributed
the news bulletins among the villagers during that time. She
also taught the villagers to spin thread. During the period of
study in Handique Girl�s College she was the secretary of the
student Union.
As a social worker,Mrs.Raychoudhury had done so
many social welfare works. During the service period in
Dhuburi,she established an Assamese medium Pre-Primary school
for the Harijan people in her own residence and taught the
students with her effort. She also established a hostel for
the working women at Narengi with the contribution of the
public and social service department. Mrs. Raychoudhury always
gave importance on self-independence. She established �Pub
Guwahati Mahila Samiti.� For the first time she encouraged the
women to sell the packed local food items (Pitha, laddu), An
institution named �Raygiri� was one of the important social
service centre established by the �Pub Guwahati Mahila
Samiti�in the initiative of Subchibrata Raychoudhury. She
created a trust on the name of her father Ambikagiri
Raychoudhury and established a women and Child Welfare Centre
at Narengi, Pathar Kueri as a part of this trust. The trust
always tried to improve the condition of the deprived and poor
women of the society and helped them to stay in the society
with dignity. She organized the trainings on sericulture and
knitting for such women and supplied necessary threads to the
village women. Now, Suchibrata Raychoudhury is connected with
many social organizations like �Kasturba Trust�, �Nirmal Ashray�,
etc.. She is also president of �Indian Social Health
Organization Assam Branch� She is also connected with
�Raychoudhury- Gandhi Memorial Fund�, Mrs. Raychoudhury helped
many poor girls to achieve education by giving economic
assistance and helped them in their established also. It is
always praiseworthy that a women feels the pain and sufferings
of the others and helps them thought social service . She
says, �The girls are now established in the society and they
lead a happy life. I want to see it�.
Apart from the works discussed above she composed
some works which remained unpublished. The are Garima. Saponar
Bichar, Yugar Dabi, Navajatak, Bowari, Pratarana, Sanakar
(drama) , Stories of O�Henry, Moon and six pences of Somarchet
Maugham, Dangerous Corner of J.B Priestley . Serpenct and the
Rope of Raja Rao, Cherry Orchard of Anton Chekov. (Translation
work) etc.
The enthusiasm of this great woman is not yet blurred. Her
sincerity, service to society, literature is the source of
inspiration for all the women. Her bold language, sweet scent
of her writing will impress all the conscious minds. May her
writings make the loving motherland shine in the world.