On
the day of Krishna Janmasthami in the year 1913 the town witnessed a large
religious congregation in Panbazar. Women blew conch shells as hundreds of
citizens offer prayers to the Almighty. The Sanatan Dharma Sabha, or the
Harisabha as it came to be popularly known, had opened its doors to the
faithful.
The
Sabha, that included a temple, an Assam-type natmancha and another
building for religious discourses, was built in a record six months’ time
on a plot of land donated by Rajanikanta Chowdhury of Sarbhog. Later, two
adjacent plots were to be added to its premises. The Harisabha Trust was
formally created with two persons each from the Assamese and Bengali
communities and one from the Marwari community -- Rai Saheb Bhuban Ram Das,
Rai Saheb Chidananda Chowdhury, Rai Bahadur Kalicharan Sen, Kunja Behari
Banerjee and Moti Chand Oswal. Kalicharan Sen was appointed the Sabha’s
first secretary, and he rendered yeoman service in giving concrete shape to
the institution.
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Over the
years leading citizens and philanthropists of Assam associated with the
Harisabha and helped shape it into a representative of all those who
believed in the sanatan dharma. They include beside the Sabha’s
trustees, figures like Padmanath Bhattachacharjee, Tirthanath Phukan,
Kaliram Barman, Nani Gopal Dutta, Kamini Bagchi, Harmohan Das, Kamala Kanta
Das, Jogesh Chandra Sengupta, Ramesh Chandra Sengupta, Girish Bose, Tarini
Mazumdar, Jay Chandra Chowdhury, Prasanna Narayan Chowdhury, Padmaram
Bharali, Samudra Pathak, Murali Chowdhury, Atul Chandra Banerjee, Tripura
Kamal Pandit, Ramani Mohan Sarma, Sishu Ram Sakia, Sasiram Sarmah,
Haricharan Das, Ashutosh Sengupta, Prafulla Deka, Ajay Dutta, Yadav Das,
Monoranjan Banerjee, Hiteshwar Sarma, Asish Sengupta, Ranjit Malo, Gopendra
Narayan Chowdhury and others.
Initially only six pujas -- Jagadhatri, Annapurna, Rathayatra, Dol,
Janmastami and Ras – were performed by the Harisabha Trust. Later, Saradwati
Puja, Durga Puja, Kali Puja and Lakshmi Puja were also introduced, although
these were performed under the direction of the Balak Samiti and the Assam
Jatiya Utsav Samiti that had been formed by wellwishers and members of
Harisabha.

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The
Harisabha ha always played a very important role in the socio-culture life
of Guwahati. At the initiative of Prof Lakshmi Narayan Chatterjee, Kumari
Vidyalaya, the first girl’s school in town, was started in its premises. The
Balya Ashram, where young boys were taught the ethical values of the
Vedanta, Upanishads and other lessons from Indian history, was
also held every Sunday afternoon in the Harisabha. During the 1940s many of
the Sabha’s members played active roles in the national movement.
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During the
swadeshi and swaraj phases young boys and girls were trained
in the art of handling the sword and stick for self-defence inside the
Harisabha. And, according to police records (Home-Political files and other
police reports of the 1930s and 1940s) it was Khudu Mahanta, a disciple of
legendary swadeshi activist Pulin das of Dhaka, who imparted the
training. Octogenarian Umesh Sengupta who participated in the Harisabha
camps remembers how the police on several occasions warned then against
“anti-British activities”, but never once dared to raid the Sabha premises.
Several
Congress party meetings were also held at the Harisabha before being banned
by the government. According to records the Harisabha management committee
and the Assam Jatiya Utsav Samiti which was established in the Sabha
premises often donated money for flood relief, for establishment of the TB
Hospital and on occasions to the Assam Sahitya Sabha.
The
Durga Puja inside Harisabha was once upon a time one of grandeur and
splendour in which jatras of Calcutta and bhaonas of Assam
were regularly performed. Artistes like Hemanta Mukherjee, Bhupen Hazarika,
Pankaj Mullick and Kanai Krishna Dey graced the Sabha stage on many
occasions. Until the 1960s regular religious discourses were also organized
in which both satradhikars and sankaracharyas delivered
lectures.
In 1996
a new temple was constructed, adding more distinction to its façade. Into
its 92nd year, the Harisabha remains yet the city’s
enduring
symbol of unity.
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